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Writer's pictureVicky Humphreys (she/her)

Barnum | Watermill Theatre

Barnum, which is written by Mark Bramble with music by Cy Coleman and lyrics by Michael Stewart, is a spectacular production, bringing circus and theatre together in an explosively gorgeous way. Directed by Jonathan O'Boyle, the production uses the grand spectacle and the immensely talented cast to wow audiences. 


Barnum, follows the story of P.T Barnum as he builds up a world renowned circus from humble beginnings, and becomes history's Greatest Showman. A self-proclaimed "Humbug", the production doesn't shy away from his more problematic characteristics, instead leaning into it in a self-deprecating humour, acknowledging it with great comedic showmanship. Whilst the book itself feels dated and lacklustre compared with the heights that the production reaches in other aspects, it does form a solid foundation. With decades of history to cover and limited time, large portions of the Barnum's life occurs off stage or referenced in a passing comment. However, the audience still have a clear and personal understanding of the characters and narrative through the incredibly heartfelt and strong performances. 


Matt Rawle as titular character P.T. Barnum is stunning, commanding the audience with ease and an infectious energy. Charming, witty and playful, Rawle's performance is excellent and will sweep audiences away. A special mention to his nerve-wracking tight rope moment and grand act one close. His fiery performance is perfectly balanced with the more intimate portrayal of Charity Barnum by Monique Young. Young delivers an earnest performance, allowing the full range of her emotions to be displayed at all times, and shines as the show's emotional anchor. The chemistry between Rawle and Young is delightful to watch as the opposing characteristics clash, and come together.


Penny Ashmore delivers an unforgettable performance as the Swedish Nightingale Jenny Linde, with heavenly vocals and brilliant acting. Although it's a limited role, Ashmore shines. Fergus Rattigan as General Tom Thumb has a charming stage presence and strong vocals. Tania Mathurin as Joice Heth soars with her rich vocals and comedic timing.  The show's stand out performer, however, is Josh Barnett, who adorns three hats in this production. A dazzling ringmaster, he captivates and commands audience attention throughout, and helpfully narrates the story with a dynamic voice. He later appears as Bailey, an important yet sadly underdeveloped character in the second half. Yet, Barnett still manages to make the character feel alive with his cheerful performance. Barnett is also the production's onstage MD, and jumps onto the piano seconds after his role as the ringmaster and also conducts the band. 



The circus performers, directed by Any Panter, compromised of Kiera Brunton, Dan Holland, Emily Odunsi and André Rodrigues, are phenomenal and elevate the production to great heights. Which is where they perform astonishing tricks with ease, with swings and rings suspended from the ceiling. The circus performers are incredulous to watch, as they mesmerise audiences during scene changes and rejoin the ensemble. The pure joy and delight to perform tricks and amaze the audience is clear as the circus performers are beaming throughout. 


The entire cast are marvellous and exceptionally multi talented, each of whom also form the onstage live band. Using an array of instruments, far too many to count or comprehend, creating some truly beautiful musical moments and harmonies, with rare instruments taking to the stage. The musical supervisor is George Dyer, who has created a wonderful band that engulfs the audience. 


Oti Mabuse's choreography elevates the production, by creating beautiful full ensemble numbers. Playing to the strengths of the cast, along with the exciting charm of circus and aerobatics, Mabuse creates delightful and exciting choreography that aids the show immensely. The lighting design by Jai Morjaria is stunning, creating a warm glow to the theatre, with yellow light bulbs lining the upper circle and stage. Barnum has his name in lights behind the stage, serving as a sparkling reminded of the circus element and the Showman himself. The set (Lee Newby) is gorgeous, and utterly transforms the small theatre into a grand space that feels both enormous and intimate at once. The costumes (Newby) are exquisite, denoting their roles in the circus and society whilst also remaining whimsical and charming, and colourful. 


Barnum is a dazzling show that is utterly delightful, welcoming and embracing the fantasy and wishes of one's inner child. Starting with a pre-show outdoors where the cast and performers interact with the audience, allowing for fun in character interactions, attempts of juggling, fun photo opportunities and the chance to be dazzled by fire-eaters and acrobats. Barnum is glorious and fantastic, with splendid music, a marvellous cast and promises a magnificent and great show. It is currently playing at the Watermill Theatre until 8th September - for more information and tickets, you can follow the link here.


⭐️⭐️⭐️⭐️ (4*)


Gifted tickets in return for an honest review | photography by Pamela Raith

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