Hairspray | Venue Cymru
- Vicky Humphreys (she/her)
- Apr 8
- 3 min read
Originally a 1988 movie which was later remade in 2007, Hairspray follows the story of Tracy Turnblad, with dreams as big as her hair. Tracy's dream to dance on TV as part of The Corny Collins Show is shattered by the show's producer, who doesn't like the way that Tracy looks and doesn't like the beliefs that she has. However, when an opportunity arises, Tracy will let nothing get in her way of reaching her dreams and standing for what she believes in. With the show being set in the 1960s and the themes of racism and body shaming still being prevalent in this modern day, it seems vital for audiences to be exposed to these harsh realities with a fun and light-hearted production.
Mark O'Donnell and Thomas Meehan’s book follows closely to the movie’s plot, and with the help of direction from Paul Kerryson and Brenda Edwards, the action comes at you at whip crack speed through energetic choreography by Drew McOnie. Although the pacing is maintained throughout the first act, the energy slightly dips in the second act, with the show feeling slightly pantoesque at time. However, given the fun nature of the show in general, this can be forgiven, and judging by the audience reaction during press night, everyone seemed to be in high spirits. Whilst the shocking nature of ageism, body shaming and racism is within this story, it's refreshing to see the jokes being delivered almost tongue in cheek, mocking the ridiculousness of the situations at hand.

The cast are all sublime, with no weak link amongst them. Katie Brace perfectly balances the naivety of a teenage girl with big hopes and dreams alongside the headstrong and determined character. Neil Hurst and Dermot Canavan have good chemistry as Edna and Wilbur Turnblad, with You're Timeless to Me being one of the audience highlights of the show. Solomon Davy oozes charisma as the charming Link Larkin, and both Joanne Clifton and Allana Taylor give assured performances as the evil Velma and Amber Von Tussle, with Taylor's soulful vocals being one of the many highlights of this show. Another honourable mention must be given to Freya McMahon who makes her professional debut in Hairspray. McMahon's incredible physical comedy and comedic timing is an absolute joy to witness and there's no doubt that she is one to watch out for in this industry.
There are few moments in theatre that will stick with you, yet Vanessa Dumatey's rendition of I Know Where I've Been is a moment I'm not willing to forget in a hurry. With all of Mark Shaiman and Scott Wittman's catchy and upbeat numbers in Hairspray's roster, this song serves a vital reminder of the themes explored and grounds the musical. Dumatey, who is understudy Motormouth Maybelle, gives a masterclass in acting through song and gives an incredibly emotive performance.

Unfortunately, the show is slightly hindered by the underwhelming stage design. Whilst Philip Gladwell’s lighting design is colourful and there are elements of impactful projection design from George Reeve, particularly in the standout number I Know Where I've Been and at the climax of Big, Blonde and Beautiful, there are oftentimes moments of sparse set design in which leaves the huge stage feeling bare. Whilst I can appreciate that space is needed for the moments of ensemble choreography, compared to the colourful and energetic other elements of the show, the lack of set design feels slightly jarring.
Overall, this touring production of Hairspray will delight fans of the movie and musical theatre fans in general. With captivating lighting and costume design, show-stopping numbers and high energy choreography, alongside a roster of incredible talent in the musical theatre industry, this production of Hairspray is big, bold and beautiful.
Hairspray runs at Venue Cymru in Llandudno until 12th April, with its tour concluding in Sunderland next week.
★★★★☆ (4*)
Gifted tickets in return for an honest review | Photography by Pamela Raith
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