Handbagged by Moira Buffini explores the intricate relationship between two iconic figures of the 1980s, Queen Elizabeth II and former Prime Minister Margaret Thatcher. The play imagines the potential discussions that occurred during their private weekly meetings at Buckingham Palace, portraying a hypothetical clash of their differing perspectives and temperaments.
Utilising a unique theatrical approach, the play presents two versions of each character: the younger Queen (Liz) and Thatcher (Mags), alongside their older counterparts (Q and T). The older characters reflect on the intentions and thoughts behind their younger selves' actions, illustrating their personal growth over the years. This approach allows audiences to witness the transformation of Q, who becomes more lighthearted and relaxed, contrasted with the stoic and less confident Liz of her youth. Similarly, the play presents T as wiser in her older age compared to the younger, more rigid Mags.
Handbagged, a theatrical portrayal of two formidable figures, shines with its exceptional sound design (Carolyn Downing), cleverly capturing the gravitas of Enoch Powell's speech. The play delights audiences with its innovative tussle over the interval, showcasing both clever writing and comedic elements. A nod must be given to the skillful multi-rolling and thoughtful plot decisions, making it especially appealing to those with a penchant for pro-Thatcher narratives, while boldly addressing complex issues such as strikes, Zimbabwe's white minority rule, and the Queen’s 1981 Christmas Message.
However, while the play navigates historical complexity, some characters could benefit from deeper exploration. The portrayal of the Queen remains consistently compassionate, and Thatcher is predominantly depicted as the unyielding figure. A solitary joke allows for a glimpse behind Thatcher’s formidable armor in the first act, leaving audiences yearning for more glimpses of vulnerability and lightness within her character.
With impeccable physicality throughout, both Susie Blake and Kate Fahy capture the essence of their roles with a perfect blend of stiffness and poised elegance. The mastery of heightened RP accents further entrenches the audience in the regal atmosphere. Despite this, the play's repetitive back-and-forth narrative style leans on Arthur Scargill's character as a welcome relief.
Contemporary movement and music seamlessly augment the play's vibrant energy, injecting a flow and punch that resonate well with audiences. Though certainly a hit, Handbagged is best suited for those with an interest or appreciation for the era's political dynamics and historical intricacies, offering a compelling theatrical experience with both humor and weight.
Handbagged plays at The Lowry until 22nd March.
★★★☆☆ (3*)
Gifted tickets in return for an honest review | Photography by Manuel Harlan
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